"Listening to the Piano" is a silk painting painted by Zhao Ji, Emperor Huizong of the Northern Song Dynasty. It is now in the Palace Museum in Beijing。

This picture shows Matsushita playing the piano and appreciating music。In the middle of the picture is a green pine with luxuriant branches and leaves, and trumpet creeper climbs up。Matsushita playing people with Taoist robes, gently close and slow twist, the other two people sit in the next bow to listen, a side up, the expression respectfully。In the painting, only pine and bamboo stones represent the courtyard environment, and the melodious melody of the piano seems to flow in the pine and bamboo, and the composition is concise and balanced。The expression of the characters is depicted carefully and vividly, which better reflects their psychological state。

Listen to the piano chart, high 1.47米，宽0.It is said that Zhao Ji, Emperor Huizong of the Song Dynasty, made it 51m, but this is also controversial。

On the right side of the painting, there is Zhao Ji's thin bold characters: "Listen to the piano picture", under another book "Qi", which is the well-known flower signature in the history of Chinese art: "One person in the world".。

The whole is "heaven", the lower part is "lower", and the upper and lower parts can be regarded as "one person" to take the meaning of "one person under the world"。

Connoisseurs of calligraphy and painting all the ages believe that "Listening to Qin" is not from Zhao Ji, Emperor Huizong of the Song Dynasty, but it is Sun Bita, a courtyard painter of the Southern Song Dynasty, but whoever it is, it must not be Zhao Ji, Emperor Huizong。

"Listening to the Piano" tends to be more quiet in the music。The figures in the painting, nothing else, only Huizong placed a black lacquer high on the Chen Jin pan jade stove, floating out of the imperial incense curling, Huizong behind, for a tall pine, melodious music, through the pine。In order to "force" the piano sound in the painting, the position of the figures is very mysterious。In order to this "force", in the Huizong is opposite, under the painting is a cloud stack of false rocks, and the ancient ding famous flowers are placed on it, which is intended to seal the "air mouth" under the painting, not to let the music loose, but to force back to the pine wind。Left and right，Sit opposite each other but one side is tilted，Not staid，But there's a slight difference in orientation，So add a page boy to the left next to the green Minister，But he's right on the red，So that the character will not be rigid，More lively and natural，In addition, it is also in order not to let the piano sound oblique leakage，Keep children near，This azimuth is straight on all sides，More "forced" out of the music with the painting of the gas bureau along the pine tree straight through the sky，That's exactly what Chae Kyung said, "There is a wind in the pines."，This is how it works.。Loose after the three five sticks of ink bamboo, but also add the depth of space。This is a unique and painstaking way to express the music。

The "Qi rhyme" of the whole picture of "Listening to the Qin" is straight upward, and the features of the inscriptions and letters of Huizong are also in line with the qi bureau in the painting, and their positions are just right and never isolated from the "qi rhyme" in the painting。This figure in the upper right title, thin gold book three words "listen to the piano chart", just higher than the pine tree head, if lower than the pine head, the "gas" will sink and not consistent, if the pine top is flat, it is flat, and the qi machine in the painting is not compatible or broken, if too high is not right, only such a wonderful way。The book "One person in the world" is signed on the lower left of the painting, echoing the title above and below, and does not hurt the gas bureau of the painting。Therefore, all are carefully done, we should feel the heart of the painter, but also feel the beauty of the space in the painting。