"Autumn Court play baby picture" with delicate brushwork, depicts two golden clothes children playing a game of pushing dates in the courtyard。Brother and sister two people no matter from hair, eyebrows，衣饰，All carefully delineated，Both silk and dyeing，And the changes are abundant，In long, rounded lines，Draw the coat lines，And dye the patterns on the clothes carefully，Not only paint the soft and fine material，Give clothes more gorgeous texture，These subtle treatments，Makes the child rich, soft, delicate appearance，It's on the page，It makes people love and pity them，Degree of realism，Several can be described as lifelike，You can understand why Su Hanchen's painting style is described as "fresh color, body like life"。

Su Hanchen (1094-1172), born in Bianjing (present-day Kaifeng, Henan Province), was a painter of the Northern Song Dynasty。Xuanhe period of Emperor Huizong of the Northern Song Dynasty (1119~1125) was appointed to the painting Academy, and he was reinstated in the Shaoxing period of Emperor Gaozong of the Southern Song Dynasty (1131-1162), and he was appointed in the early Longxing year of Emperor Xiaozong of the Southern Song Dynasty (1163)。

Su Hanchen once for the northern Song Xuanhe painting Academy waiting for an edict, after the southern crossing and reinstated, long Xing the initial painting of Buddha said purpose, Ren Chengxin Lang。Teacher Liu Zonggu, the work of the way, the character is wonderful, especially good baby, the painting of the dealer, fine painting, the cargo is numerous, more special。

Su Hanchen learned from Liu Zonggu, an imperial servant of the painting Academy. He painted figures, scholars and Buddhist and Taoist religious paintings with neat and fine strokes and fresh colors。He is particularly good at depicting the scene of babies playing and the seller's cart, and the modality is vivid。His works are "Qiuting Playing with Baby", "Wurui", "Percussion Music", "Baby playing with Baby" and so on。

In the courtyard, two brother and sister around the small round stool, concentrated on playing the game of pushing the date mill。Delicate toys such as turntables, small pagodas and cymbals are scattered on stools and grass nearby。In the background, the bamboo shoots of Taihu Lake stone stand tall, solid and straight, surrounded by blooming hibiscus flowers and daisies, such a layout, not only dilute the masculinity of the lake stone, but also fully point out the autumn season。

Because the dates played by the two siblings in the painting are crops in northern China and were not produced in Jiangnan at that time。In addition, the description of the whole painting is extremely delicate and realistic, which accords with the characteristics of the court painting in the late Northern Song Dynasty。According to this clue, it is speculated that the completion of this work should be in the period of Xuanhe Painting Academy of Huizong。